SENDAI MID STATION

A traditional form that embodies a child's toy
WoodturninginSakunamibeganinthelateEdoperiodwhenNanjoTokuemon,awoodturnertrainedinHakone,washiredbyIwamatsuRyokanTogetherwithhisapprentice,NaosukeIwamatsu,hebeganmakingKokeshiNaosuke’s"YorozuhikimonoHikaecho"ledger,discoveredintheHeiseiera,recordedthatpricesforKokeshiweresetaccordingtotheirsize,andnotedthatthebirthplaceofKokeshiwasSakunami,whichhadbeensubjecttovarioustheoriesItwashailedasamajordiscoveryintheKokeshiworld
This"SakunamistyleKokeshi,"borninSakunami,ischaracterizedbyitsslimbodyItreflectsthelegacyofbeingatoy,designedwithafocuson"beingeasyforchildrentogrip"SincetheTaishoera,whenKokeshitransitionedfromtoystoornamentalitems,theybegantoincludepedestalswhichincreasedtheirstabilityThebodyfeaturesapatternknownas"Kanigiku,"withlathelinesattheshouldersandhem,andadesignofchrysanthemumsthatresembleacrabinbetweenOriginally,theseKokeshihadsternfacialexpressions,butovertime,theybecamesofterandgentle*Kiji=Woodenvesselssuchasbowlsandtrays,beforetheyarepainted**Kijishi=Acraftsmanwhousesalathetoshapeandcreatewoodenitemssuchasbowlsandtrays
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